Zest-it® Pencil Blend |
Safer Solutions for Artists since 1995 |
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All Coloured Pencils, Colour Stix, Oil Pastels and Coloured Pastels were applied to the watercolour paper in the same way. Each pencil application was treated in the same way and under the same conditions. The images are quite large so that the texture of the pencil on the paper can be seen and the blended area is in full view. The brush used was a 3/8" Flat, a sable and synthetic mix. |
Prismacolor. Prismacolor Pencils are excellent quality, their soft core offers superb blending and a wide range of colours. The colours are clean when blended and can be blended with ease, only a dampened brush needed to blended the colours.
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Derwent Coloursoft are very 'blendable' giving the chance to apply many layers. Derwent Studio have a harder core and do not blend as easy as the Coloursoft. Use a just damp brush, too wet and the studio will lift. |
Caran d'Ache Luminance soft and creamy feel when applying, good for numerous layers, with excellent lightfast qualities. Colours blend well with each other. Blend well with Pencil Blend and are rich in pigment. Use a just damp brush, plenty of pencil to blend. |
Good 'blendability' with each other can be layered with ease. |
These pastels are soft and even a damp brush is quite powerful at moving the laid colour. |
The below booklet shows blending these wax oil pastels with solvent! This will link to a downloadable PDF for using these pencils.PDF and Monochrome A just damp brush is enough for a single layer. |
Artstix by Prismacolor slightly harder in texture then some other pencils but apply cleanly to paper and ar not 'messy' to hold. Zest-it Pencil Blend makes a good job of blending the applied 'stix' and give back the tooth of the paper. Good pigment load, gives neat lines due to shape and covers large areas. A just damp brush is all it took to blend the 'stix' |
Van Gogh by Talens we haven't tried, others have and ZPB works well
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